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Softness imperception, a term coined by Mary Florentine around 2002, [8] proposes that some listeners with sensorineural hearing loss may exhibit a normal rate of loudness growth, but instead have an elevated loudness at their threshold. That is, the softest sound that is audible to these listeners is louder than the softest sound audible to ...
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
A more complex signal also creates more nerve firings and so sounds louder (for the same wave amplitude) than a simpler sound, such as a sine wave. Loudness is perceived as how "loud" or "soft" a sound is and relates to the totalled number of auditory nerve stimulations over short cyclic time periods, most likely over the duration of theta wave ...
Harold Owen bases his list on the qualities of sound: pitch, timbre, intensity, and duration [2] while John Castellini excludes duration. [3] Gordon C. Bruner II follows the line of temporal-based deductions in association with musical composition, denoting music's primary components as "time, pitch, and texture."
loudness, or prominence (varying between soft and loud) timbre or phonatory quality (quality of sound) Acoustically, these prosodic variables correspond closely to: Visualization of the prosody of a male voice saying "speech prosody": pitch in ribbon height, and periodic energy in ribbon width and darkness. Audio for the visualization above.
A sonority hierarchy or sonority scale is a hierarchical ranking of speech sounds (or phones).Sonority is loosely defined as the loudness of speech sounds relative to other sounds of the same pitch, length and stress, [1] therefore sonority is often related to rankings for phones to their amplitude. [2]
The smallest sound that a person can hear, known as the threshold of hearing, is nine orders of magnitude smaller than the ambient pressure. The loudness of these disturbances is related to the sound pressure level (SPL) which is measured on a logarithmic scale in decibels.
Traditionally in Western music, a musical tone is a steady periodic sound. A musical tone is characterized by its duration, pitch, intensity (or loudness), and timbre (or quality). [1] The notes used in music can be more complex than musical tones, as they may include aperiodic aspects, such as attack transients, vibrato, and envelope modulation.