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Overpass is a geometric sans-serif digital typeface, derived from Highway Gothic, but instead with a focus on usage as a webfont on digital screens for user interfaces and websites. It was designed by Delve Withrington with Dave Bailey, Thomas Jockin, Alan Dague-Greene, and Aaron Bell between 2011–2021. [ 3 ]
Kurinto Font Folio (open source , pan-Unicode, 21 typefaces, 506 fonts; v2.196 (July 26, 2020) has coverage of most of Unicode v12.1 plus many auxiliary scripts including the UCSUR) LastResort (fallback font covering all 17 Unicode planes, included with Mac OS 8.5 and up) Lucida Grande (Unicode font included with macOS; includes 1,266 glyphs)*
Century Gothic was intended as a display design for large headings and advertisements (although it is somewhat usable for body text because of the high x-height) and as a result Century Gothic is quite a light typeface, especially in default weight, with the classic display typeface feature of tight spacing and quite wide characters, in ...
The design of League Gothic was based on Alternate Gothic, a typeface originally designed by Morris Fuller Benton in 1903. Both No. 1 and No. 2 are available, each in a single semi-bold weight. [13] League Gothic was also used as the basis for Warsaw Gothic, an expanded font family with some altered glyphs produced in 2015 by Robert Jablonski. [14]
Typeface Family Spacing Weights/Styles Target script Included from Can be installed on Example image Aharoni [6]: Sans Serif: Proportional: Bold: Hebrew: XP, Vista
[5] In "Super Sunday", season 2 episode 13 of the TV series The Middle, Brick Heck pines over the typeface used in a news article about the Super Bowl. He tells his father Mike that the font used is Copperplate Gothic, stating that it is part of the sans serif typeface family, after which he did his signature whisper to himself "sans serif".
Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. "Akzidenz" indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time.
Along with Matthew Carter's 1978 Bell Centennial reworking, Tobias Frere-Jones designed the Griffith Gothic typeface family for the Font Bureau in 1997. Condensed and italic variants were added, thus expanding the family in 2000. Isabella Chæva produced a cyrillic version of Bell Gothic for ParaType, based in Moscow, Russia, in 1999. She added ...
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