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The Goncourt Journal was a diary written in collaboration by the brothers Edmond and Jules de Goncourt from 1850 up to Jules' death in 1870, and then by Edmond alone up to a few weeks before his own death in 1896.
Cahier d'un retour au pays natal (first published in 1939, with two revised editions in 1947 and a final edition in 1956), variously translated as Notebook of a Return to My Native Land, Return to My Native Land, or Journal of a Homecoming, is a book-length poem by Martinican writer Aimé Césaire, considered his masterwork, that mixes poetry and prose to express his thoughts on the cultural ...
Writing and Difference (French: L'écriture et la différence) is a book by the French philosopher Jacques Derrida. The work, which collects some of the early lectures and essays that established his fame, was published in 1967 alongside Of Grammatology and Speech and Phenomena.
Writing Degree Zero (French: Le degré zéro de l'écriture) is a book of literary criticism by Roland Barthes.First published in 1953, it was Barthes' first full-length book and was intended, as Barthes writes in the introduction, as "no more than an Introduction to what a History of Writing might be."
Cairn.info is a French-language web portal, founded in 2005, containing scholarly materials in the humanities and social sciences and recently scientific, technical, and medical sciences.
Cahier de doléances of Saint-Louis, Senegal (1789). The Cahiers de doléances (French pronunciation: [kaje də dɔleɑ̃s]; or simply Cahiers as they were often known) were the lists of grievances drawn up by each of the three Estates in France, between January and April 1789, the year in which the French Revolution began.
The first issue featured works by Ellsworth Kelly, Cyprien Gaillard, Sarah Morris and Adrián Villar Rojas, and the architecture of Oscar Niemeyer. [2] As part of the re-launch of Cahiers d'Art, 14 rue du Dragon has reopened as a gallery and library, while 15 rue du Dragon now operates as an exhibition space for limited edition prints and editions by contemporary artists.
[21]) when characterizing the essence of écriture féminine and explaining its origin. This notion raises problems for some theorists: "Ecriture féminine, then, is by its nature transgressive, rule-transcending, intoxicated, but it is clear that the notion as put forward by Cixous raises many problems. The realm of the body, for instance, is ...