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The font (also spelled "fount") held the kerosine for the lamp. [25] The chimney was a glass tube placed around the lamp's flame that had a bulge at the base that kept drafts away from the flame and added extra illumination. [26] A lamp's shade was a glass object that surrounded the light source and diffused it. [27]
Mass-produced reproduction opium lamp made for the souvenir trade [citation needed] circa 1950, UBC collection. An opium lamp is an oil lamp designed specifically to facilitate the vaporization and inhalation of opium. Opium lamps differ from conventional lamps for lighting in that they are designed to channel an exact amount of heat upward ...
An Argand lamp in use in A Portrait of James Peale, done in 1822 by Charles Willson Peale Argand lamp with circular wick and glass chimney. Illustration from Les Merveilles de la science (1867–1869) by Louis Figuier. The Argand lamp is a type of oil lamp invented in 1780 by Aimé Argand.
A late antique oil lamp showing a human figure identified as Christ. Early Christian and late antique oil lamps were diverse. One of the most notable ones were Mediterranean sigillata (“African”) lamps. The motifs were largely geometric, vegetative and graphic (monograms), with figural depiction of animals and human figures, often Christ. [13]
Edward Miller & Co. (1844–1924) was formed in Meriden, Connecticut, and is primarily known as a historical manufacturer of lamps. The company also made brass kettles and oil heaters. In 1866, the corporation was formed with capital of US$200,000. Its earlier beginning included being started by Horatio Howard.
Clarke's original lamps feature a fairy embossed into the bottom, and they became so popular that all small candle-based lamps became known as "fairy lamps." They became extremely popular, due to the sudden affordability of mass-produced glass and candles, and were frequently used to illuminate nurseries, sickrooms, and hallways. [ 2 ]
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