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Charles Tournemire: Sept Chorals-Poèmes pour les sept Paroles du Christ for organ (1935) Knut Nystedt: "Jesu syv ord på korset", Op. 47, oratorio for solo and mixed choir The Seven Words from the Cross (1960). [7] Alan Ridout: The Seven Last Words for organ (1965) "The Crucifixion" from Jesus Christ Superstar (1969), by Tim Rice and Andrew ...
That is, whether accepting Jesus Christ as saviour necessarily implies one must make a concrete commitment in life toward the Christ such as following a certain behaviour or moral system. The first opinion, that of the lordship salvation supporters, is, as Arthur W. Pink summarises: "No one can receive Christ as His Savior while he rejects Him ...
"Follow On", also known in certain cases as "Down In The Valley With My Saviour I Would Go" [1] and "I Will Follow Jesus", is a Christian hymn written in 1878 by William Orcutt Cushing. [2] The music for it was composed in 1880 by both Robert Lowry and W. Howard Doane .
"Face to face with Christ my Savior" is Carrie Breck's best-known composition, which has appeared in many hymnals. [5] It has mainly been sung in America, and is less known in the United Kingdom. [1] It was first published in an 1899 anthology by Grant Tullar and Isaac H. Meredith, Sermons in Song, No. 2. [1]
The Jesus Prayer combines three Bible verses: the Christological hymn of the Pauline epistle Philippians 2:6–11 (verse 11: "Jesus Christ is Lord"), the Annunciation of Luke 1:31–35 (verse 35: "Son of God"), and the Parable of the Pharisee and the Publican of Luke 18:9–14, in which the Pharisee demonstrates the improper way to pray (verse ...
The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...
Jesus Christ Superstar is a sung-through rock opera with music by Andrew Lloyd Webber and lyrics by Tim Rice.Loosely based on the Gospels' accounts of the Passion, the work interprets the psychology of Jesus and other characters, with much of the plot centered on Judas, who is dissatisfied with the direction in which Jesus is steering his disciples.
It concludes at the point of Jesus personally accepting his fate, placing the emphasis on his own decision rather than the later Crucifixion or Resurrection. The oratorio is scored for soprano, tenor, and bass soloists, with standard SATB chorus and symphony orchestra. The tenor sings as Jesus, with the soprano as a seraph and the bass as Peter ...
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