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The amount of office space in New York City increased by 92% in the late 1920s. [5]: 49–50 Zoning regulations had major impacts on the design of buildings. The proliferation of ever-larger skyscrapers like the 40-story Equitable Building spurred New York City's passage of the US's first citywide zoning code, the 1916 Zoning Resolution. [6]
The Art Deco style, which originated in France just before World War I, had an important impact on architecture and design in the United States in the 1920s and 1930s. The most notable examples are the skyscrapers of New York City, including the Empire State Building, Chrysler Building, and Rockefeller Center. It combined modern aesthetics ...
Edward Trumbull – Transport and Human Endeavor (ceiling mural, lobby, Chrysler Building, New York City) [2] Suzanne Valadon – Nude Woman with a Blue Shawl; Christopher Wood. Anemones in a Cornish Window; Zebra and Parachute; Grant Wood. American Gothic; Stone City, Iowa; W. L. Wyllie – Panorama of the Battle of Trafalgar (Royal Naval ...
60 Hudson Street, formerly known as the Western Union Building, is a 24-story telecommunications building in the Tribeca neighborhood of Manhattan in New York City.Built in 1928–1930, it was one of several Art Deco-style buildings designed by Ralph Thomas Walker of Voorhees, Gmelin and Walker for telecommunications in the early 20th century. 60 Hudson Street spans the entire block between ...
Four years later, The New York Times wrote that Jin brought "the era of (forced) Communist propaganda art to a virtual end," and called her "one of [the Galleries'] most successful artists." [53] December 13, 1988: "New York: Empire City in an Age of Urbanism, 1875-1945," an exhibition to benefit the Soviet-American Cultural Exchange Program.
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O'Keeffe made about 25 drawings and paintings of New York City skyscrapers and cityscapes between 1925 and 1929. Her works are evocative of her own style. In 1925, she created New York Street with Moon, which reflects her opinion that "one can't paint New York as it is, but rather as it is felt." Between the city skyscrapers is a sunset with a ...
The Ten, also known as The Ten Whitney Dissenters, were a group of New York–based artists active from 1935 to 1940. [1] [a] Expressionist in tendency, the group was founded to gain exposure for its members during the economic difficulty of the Great Depression, and also in response to the popularity of Regionalism which dominated the gallery space its members sought.