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It was instead posthumously released as simply "Where Did You Sleep Last Night" on the band's MTV Unplugged in New York album in November 1994, and as a promotional single from the album, [12] receiving some airplay on US rock and alternative radio in 1994–95. [13] [14] The song also received some airplay in Belgium and France, [15] and in ...
For most of the year the normal home range for skunks is 0.5 to 2 miles (1 to 3 km) in diameter, with males expanding during breeding season to travel 4 to 5 miles (6 to 8 km) per night. [8] Skunks are not true hibernators in the winter, but do den up for extended periods of time.
The song's opening stanza refers to one of George Stoneman's raids behind Confederate lines attacking the railroads of Danville, Virginia, at the end of the Civil War in 1865: Virgil Caine is the name, and I served on the Danville train Till Stoneman's cavalry came and tore up the tracks again In the winter of '65, we were hungry, just barely alive
After one particular late night run where Paulsen and his team encounter several skunks, with the expected results, Paulsen is relegated to sleeping in the kennel. He finds that sharing sleeping quarters with the dogs increases his bond with them, and even after the smell has worn off he continues to sleep outside.
The earliest fossil finds attributable to Mephitis were found in the Broadwater site in Nebraska, dating back to the early Pleistocene less than 1.8 million years ago. By the late Pleistocene (70,000–14,500 years ago), the striped skunk was widely distributed throughout the southern United States, and it expanded northwards and westwards by the Holocene (10,000–4,500 years ago) following ...
"Song for a Winter's Night" is a song written by Gordon Lightfoot, and first recorded for his album The Way I Feel (1967). Lightfoot recorded another version of the song for Gord's Gold (1975), a greatest hits compilation on which other re-recordings also appeared.
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The first part of the three part song is an instrumental written by keyboardist John Hawken. It was later released as a single in the United States due to demand from black radio stations. The music begins with a menacing riff played on a Moog synthesizer, gradually builds to a climax and then segues into the much quieter second part of the song.