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Walter Beasley Live and More: 1996 Affable Records Tonight We Love: 1997 Shanachie For Your Pleasure: 1998 Shanachie Won't You Let Me Love You: 2000 Shanachie Rendezvous: 2002 Shanachie Go with the Flow: 2003 Affable Records Midnight Love: 2003 Shanachie The Classic R&B Collection: 2004 Shanachie For Her: 2005 [2] Heads Up Greatest Hits! 2005 ...
Jazz, Blues Terrestrial Mutual Musicians Foundation, Inc. Kansas City Missouri: Website: KRTU-FM: 91.7 MHz Jazz, Independent Terrestrial Trinity University: San Antonio Texas: Website: KRWV-LP: 99.3 MHz Smooth Jazz, Mainstream Terrestrial Gold Canyon Public Radio Inc. Gold Canyon Arizona: Website: KSBR: 88.5 MHz Mainstream Terrestrial ...
1990 Music from Mo' Better Blues; 1991 Bloomington; 1991 The Beautyful Ones Are Not Yet Born; 1992 I Heard You Twice the First Time; 2004 The Steep Anthology; With Wynton Marsalis. 1986 J Mood; 1987 Live at Blues Alley (Wynton Marsalis album) 1987 Marsalis Standard Time, Vol. I; 1988 Thick in the South: Soul Gestures in Southern Blue, Vol. 1
Music lineup. On Friday, June 14, Jason Ricci and the Bad Kind performs, followed by headliner Huntertones. On Saturday, June 15, Mojoflo and Lil' Ed & the Blues Imperials perform before headliner ...
Blues musicians are musical artists who are primarily recognized as writing, performing, and recording blues music. [1] They come from different eras and include styles such as ragtime - vaudeville , Delta and country blues , and urban styles from Chicago and the West Coast . [ 2 ]
Play the Blues: Live from Jazz at Lincoln Center is a 2011 live album by Eric Clapton and Wynton Marsalis. Released on September 13, it contains live recordings of the 2011 collaboration at the Lincoln Center for the Performing Arts between the British blues guitarist and the American jazz trumpeter. A video release accompanies the audio ...
Well-established jazz musicians, such as Dave Brubeck, Wynton Marsalis, Sonny Rollins, Wayne Shorter, Jessica Williams and George Benson, continue to perform and record. In the 1990s, punk jazz and jazzcore began to reflect the increasing awareness of elements of extreme metal (particularly thrash metal and death metal ) in hardcore punk.
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