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A chromatic scale exercise from Arban's Method. Arban's series on scales includes studies of major, minor, and chromatic scales, as well as numerous variations thereof. Arban admits to giving minor scales "limited treatment," but Gordon refutes this by citing the nonexistence of "limits on the use of the Trumpet and Cornet." [3]: 57
The bottom line, indicating first-partial pedal tones, is not usually used by trumpet or horn. The seventh partial (B♭ on trumpet) is flat relative to equal temperament, and thus its use is also avoided. This method is impractical in the altissimo range, because of fingering differences between horns. [citation needed]
Download as PDF; Printable version; In other projects ... 12 — — — Delta scale ... Neapolitan major scale on C. Play ...
F major and B ♭ major: 3 4 and 2 4: 8: Du Du Liegst Mir Im Herzen: Cornet Solo with Variations: B ♭ major: 3 4: 9: The Southern Cross: Cornet Solo Romantique: G minor and E ♭ major: 3 4 and 2 4: 10: Side Partners: F major and B ♭ major: and 2 4: 11: Twilight Dreams: Waltz Intermezzo: F major: 3 4: 12: Lillian: Polka Caprice: F major and ...
12-tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. 12 equal temperament (12-ET) [a] is the musical system that divides the octave into 12 parts, all of which are equally tempered (equally spaced) on a logarithmic scale, with a ratio equal to the 12th root of 2 (≈ 1.05946).
[17] The usual practice is to derive the circle of fifths progression from the seven tones of the diatonic scale, rather from the full range of twelve tones present in the chromatic scale. In this diatonic version of the circle, one of the fifths is not a true fifth: it is a tritone (or a diminished fifth), e.g. between F and B in the "natural ...
The two whole-tone scales as a symmetrical partitioning of the chromatic scale; [1] if C=0 then the top stave has even (02468t) and the bottom has odd (13579e) pitches. In music, a whole-tone scale is a scale in which each note is separated from its neighbors by the interval of a whole tone.
Cross-fingering is any fingering, "requiring a closed hole or holes below an open one." [ 9 ] "Opening successive tone holes in woodwind instruments shortens the standing wave in the bore. However, the standing wave propagates past the first open hole, so its frequency can be affected by closing other tone holes further downstream.