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Elias Jade Not Afraid (born 1990) [1] is an Apsáalooke (Crow/Absaroke) [2] artist known for his traditional and non-traditional beadwork. He is a member of the Crow Tribe of Montana , [ 3 ] who grew up on the Crow Reservation between Lodge Grass and Wyola , Montana.
Yupei could be stringed together to make an ensemble of jade pendants (which would hold at the belt and could also be composed of chains of bi (璧; jade discs or jade rings). [ 2 ] : 18–20 Jade in the form of huang were also popular in the making of yupei and had a rigid and specific rules attached to its use.
The beads, also described as "jewels", were made of primitive stone and earthen materials in the early period, but by the end of the Kofun period were made almost exclusively of jade. Magatama originally served as decorative jewelry, but by the end of the Kofun period functioned as ceremonial and religious objects.
North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
Waist belt with a jade pendant, a common belt accessory in hanfu. Belts and silk bands are commonly referred as dai (simplified Chinese: 带; traditional Chinese: 帶). [28] Dai have been deeply connected to ancient Chinese clothing and just like the style of the ancient clothing have known changes over time, so did the dai. [28]
Jade sculpture often depicted deities, people, shamanic transformations, animals and plants, and various abstract forms. Sculptures varied in size from single beads, used for jewelry and other decorations, to large carvings, such as the 4.42 kilogram head of the Maya sun god found at Altun Ha.
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