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This is an accepted version of this page This is the latest accepted revision, reviewed on 15 February 2025. This is a list of notable offspring of a deity with a mortal, in mythology and modern fiction. Such entities are sometimes referred to as demigods, although the term "demigod" can also refer to a minor deity, or great mortal hero with god-like valour and skills, who sometimes attains ...
Key: The names of the generally accepted Olympians [11] are given in bold font.. Key: The names of groups of gods or other mythological beings are given in italic font. Key: The names of the Titans have a green background.
The Naiad nymph Minthe, daughter of the infernal river-god Cocytus, became concubine to Hades, the lord of the Underworld and god of the dead. [9] [10] In jealousy, his wife Persephone intervened and metamorphosed Minthe, in the words of Strabo's account, "into the garden mint, which some call hedyosmos (lit. 'sweet-smelling')".
Pages in category "Children of Hades" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. E. Erinyes; M.
Hades and Cerberus, in Meyers Konversationslexikon, 1888. Hades, as the god of the dead, was a fearsome figure to those still living; in no hurry to meet him, they were reluctant to swear oaths in his name, and averted their faces when sacrificing to him. Since to many, simply to say the word "Hades" was frightening, euphemisms were pressed ...
Persephone and Dionysos. Roman copy after a Greek original of the 4th–3rd century B.C. Marble. Hermitage.. In ancient Greek mythology and religion, Persephone (/ p ər ˈ s ɛ f ə n iː / pər-SEF-ə-nee; Greek: Περσεφόνη, romanized: Persephónē, classical pronunciation: [per.se.pʰó.nɛː]), also called Kore (/ ˈ k ɔːr iː / KOR-ee; Greek: Κόρη, romanized: Kórē, lit.
Goddess of spring, Queen of the Underworld, wife of Hades and daughter of Demeter and Zeus. Her symbols include the pomegranate, grain, torches, wheat and the asphodelus. After her abduction by Hades, she was forced to split the year between the world of the dead with her husband and the world of the living with her mother.
The idea of progress did not exist in the Greek underworld – at the moment of death, the psyche was frozen, in experience and appearance. The souls in the underworld did not age or really change in any sense. They did not lead any sort of active life in the underworld – they were exactly the same as they were in life. [90]