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Horse Heaven was well received by critics. Writing for the LA Times, Pam Houston spoke favorably of Smiley's ambitious "narrative balancing act". [2]The Guardian's Phillip Hensher praised the book's prose and dialogue, stating that Smiley "has started to look like the best living American novelist."
The story of his relationship with the girl he killed, Gloria Beatty, is thereafter intercut after every few chapters with short excerpts from the judge's sentencing. The excerpts of the judge's words are written in larger and larger type until the last page of the book concludes with the words, written in small print: "And may God have mercy ...
As he imagined it, the leannán sídhe is depicted as a beautiful muse who offers inspiration to an artist in exchange for their love and devotion; although the supernatural affair leads to madness and eventual death for the artist: [7] The Leanhaun Shee (fairy mistress) seeks the love of mortals. If they refuse, she must be their slave; if ...
In many of Jane Austen's novels, characters experience love more than once, which contrasts with the view in sentimental novels of the time, where first love is seen as lasting forever. Marianne Dashwood initially believes second attachments are impossible, but over time, she becomes devoted to her husband after loving Willoughby. [ 160 ]
The terms average Joe, ordinary Joe, regular Joe, Joe Sixpack, Joe Lunchbucket, Joe Snuffy, Joe Blow, Joe Schmoe (for males), and ordinary Jane, average Jane, and plain Jane (for females), are used primarily in North America to refer to a completely average person, typically an average American. It can be used both to give the image of a ...
A story of romantic love, esp. one which deals with love in a sentimental or idealized way; a book, film, etc., with a narrative or story of this kind. Also as mass noun: literature of this kind. Overlap is also sometimes found between the above terms, when literary romance also contains a strong love interest.
The Horses of Neptune, illustration by Walter Crane, 1893.. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.
Mary Crawford is a major character in Jane Austen's 1814 novel, Mansfield Park. Mary is depicted as attractive, caring and charismatic. The reader is gradually shown, often through the eyes of Fanny Price, a hidden, darker side to Mary's personality.