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Lionel Edwards (9 November 1878 – 13 April 1966) was a British artist who specialised in painting horses and other aspects of British country life. He is best known for his hunting scenes but also painted pictures of horse racing, shooting and fishing.
The green coloring of the painting is suggestive of an influence from English horse racing scenes. [9] The driver's top hat and the presence of the bulldog also contribute to the "English character" of the painting. English styles were fashionable among the French upper classes at the time of the painting's creation. [10]
Horse racing became a popular pastime in 19th century France under Louis-Philippe and Napoleon III. Degas began admiring horses while visiting friends in Normandy. Over the course of his career it is reported that he created 45 oils, 20 pastels, 250 drawings, and 17 sculptures related to horses. Degas was eager to know horses in anatomical ...
Before this, horse racing was generally shown from the side, and Manet himself would go back to this in 1872 in his work The Races in the Bois de Boulogne. [3] The art historian Juliet Wilson-Bareau notes that this presentation of the horses makes them appear "as if exploding from a distant mass of trees in the background."
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The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
Minute blemishes, veins, and the muscles flexing just below the surface of the skin are all visible and reproduced with great care and realism. Whistlejacket had already retired after a fairly successful racing career, but was painted in this unusual form to show "a supremely beautiful specimen of the pure-bred Arabian horse at its finest". [9]
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