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"Rap God" is a song by American rapper Eminem. The song premiered via YouTube on October 14, 2013, and was released in the United States on October 15, 2013, as the third single from Eminem's eighth studio album, The Marshall Mathers LP 2 (2013).
On "Majesty", Eminem raps 123 syllables in about 12 seconds—about 10.3 syllables per second—, while he spits 157 syllables in 16.3 seconds—9.6 syllables per second— on the speediest part of "Rap God". However, the latter track does still hold the Guinness World Record for most words in a single with 1,560. [16]
Eminem's third verse on the track holds the record for his fastest rap verse, rapping 11 syllables per second, or 400 words in 30 seconds, and a peak burst of 12.73 syllables per second. [2] Eminem surpassed his own records held by his feature on Nicki Minaj and Labrinth 's 2018 song " Majesty ", where he rapped 12.26 syllables per second, and ...
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This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources. Eminem in 1999 Rapper Eminem holds many notable achievements, including 13 Guinness Book of World Records, for his videos, singles, albums, and rapping abilities. Eminem's first appearance in the Guinness Book of World Records was in 2000 ...
“We Own It” from “Fast and Furious 6” is easily one of the catchiest songs in the impressive “Fast and Furious” universe. The lyrics from Wiz Khalifa and 2 Chainz perfectly embody the ...
During the first part of the video, Eminem, is shown while performing the song inside of a dark room, dressed in all black with only one light shining in the background. In the final scene, after getting possessed by the symbiote, the final victim shown turns into Eminem himself to rap the final chorus, before turning into Sony's Spider-Man ...
Karan Singh of HipHopDX deemed the lyrics that refer to Diddy to be one of the "celebrity references made in poor taste" on The Death of Slim Shady (Coup de Grâce). [5] Gabriel Bras Nevares of HotNewHipHop described the rhyme schemes on the song as among the "Comically crude, wildly impressive, and deep moments" in the album. [ 6 ]