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Her definition was extended by Marvin A. Sackner in his introduction to the Ohio State University 2008 collection of visual poetry: "I define concrete poems as those in which only letters and/or words are utilized to form a visual image, whereas visual poems constitute those in which images are integrated into the text of the poem". [5]
Line art or line drawing is any image that consists of distinct straight lines or curved lines placed against a background (usually plain). Two-dimensional or three-dimensional objects are often represented through shade (darkness) or hue . Line art can use lines of different colors, although line art is usually monochromatic.
Although reading aloud to oneself raises eyebrows in many circles, few people find it surprising in the case of poetry. In fact, many poems reveal themselves fully only when they are read aloud. The characteristics of such poems include (but are not limited to) a strong narrative, regular poetic meter, simple content and simple form.
In his Poetry Handbook, John Lennard writes that Dickinson's poems rely heavily on her use of dashes, capitalization, and line and stanza breaks. [13] He says her "intense, [and] unexpected play" with capitalization and dashes makes her poetry "memorable". [13] Read aloud, the dashes create caesura, giving the poem a staccato rhythm. Jung says ...
A calligram is a set of words arranged in such a way that it forms a thematically related image. It can be a poem, a phrase, a portion of scripture, or a single word; the visual arrangement can rely on certain use of the typeface, calligraphy or handwriting, for instance along non-parallel and curved text lines, or in shaped paragraphs. The ...
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Line drawing may mean: Line art , a style of two-dimensional art featuring only two, unshaded, contrasting colors Technical line drawing , simple two-dimensional blueprint or technical drawing
Starting from the observation that poetry can usually be told from prose simply by looking at it, this reading of Spatial Form encompasses the many aspects of subtle visual significance that are held, for instance, by typeface or in the textures of repeated letters, as well as the more overt visual signals generated by the poem's layout. [34] [35]