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The David Vases are a pair of blue-and-white temple vases from the Yuan dynasty. The vases have been described as the "best-known porcelain vases in the world" [ 1 ] and among the most important blue-and-white Chinese porcelains .
During the late 18th century Richard Champion, a Bristol merchant and potter, making Bristol porcelain, was working with a chemist, William Cookworthy. [1] Cookworthy began a search for good quality cobalt oxide to give the blue glaze decoration on the white porcelain and obtained exclusive import rights to all the cobalt oxide from the Royal Saxon Cobalt Works in Saxony. [2]
The porcelain body of Vieux Luxembourg is accented with a scalloped rim and cobalt blue trim. Floral sprays are spread across the body of each piece. For Villeroy & Boch, that step was the establishment of a pottery in Audun-le-Tiche, Lorraine on April 1st, 1748 their first pattern, Vieux Luxembourg.
The new design pattern is a combination of intersecting lines of cobalt blue with inverted tear drops of cobalt blue (made from mineral cobalt) and 22 karat gold accents. [4] There is also a version that artist Anna Yatskevich, the author of the famous cobalt net, painted a set in memory of the cross-glued windows of houses and the cross-light ...
Dutch delftware vase in a Japanese style, c. 1680 "Blue and white pottery" (Chinese: 青花; pinyin: qīng-huā; lit. 'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide.
In about the 9th century, Chinese artisans abandoned the Han blue colour they had used for centuries, and began to use cobalt blue, made with cobalt salts of alumina, to manufacture fine blue and white porcelain, The plates and vases were shaped, dried, the paint applied with a brush, covered with a clear glaze, then fired at a high temperature.
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