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Her prints offered sophisticated woman who enjoyed cigarettes. [9] Painting by Auguste Levêque. Portrait of Suzanne. Resulting from new representations of women smokers from artists like Frances Benjamin Johnston and Jane Atché, smoking became more socially acceptable for women. Eventually, smoking grew into a phenomenon for women.
Woman with a Cat, 1875 painting by French artist Pierre-Auguste Renoir, National Gallery of Art, Washington, D.C. Woman with a Cat, 1893–1894 painting by American artist Cecilia Beaux, Musée d'Orsay, Paris; Woman with Cat, 1908 painting by Dutch-French Fauve painter Kees van Dongen, Milwaukee Art Museum
Like other saints, Mary Magdalene was often used as propaganda for the Catholic sacraments. For example, Francesco Vanni's painting, The Last Communion of Mary Magdalene, shows the practice of communion with a dying woman, which made a statement about the triumph of the Catholic faith against disagreements with Protestantism. [6]
Woman with Cat is an oil on canvas painting by Dutch-French Fauve painter Kees van Dongen, from 1908. It depicts a woman holding a black cat on her arms. Van Dongen uses complementary colors of red and green for shocking effect. [1] The painting was purchased in 1961 by Margaret and Harry Lynde Bradley from Sammy Chalom Royale Décoration in ...
Many of the same marketing strategies used with women were used with this target group. By 1998, the women's smoking rate had dropped to 22%. 1998 also marked the year of the Master Settlement Agreement. [20] The beginning of the 21st century saw women smoking at a rate of 22.8%, which was a slight increase compared to the previous decade. [24]
Van Gogh included skeletons in another work from his Antwerp period, a sketch of a "Hanging skeleton and cat". [3] In 1887–88, van Gogh painted two more paintings with skulls, the only other works of his (besides a drawing from the same period) to use skulls as a motif. [2] The work measures 32 by 24.5 centimetres (12.6 in × 9.6 in).
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It depicts a simple composition, with a low key, nearly monochrome nude woman formed by spheres, cones, and tubes with limited colors of red, yellow, black, and white. The paintings are thought to be a study for his later work, Three Women (Le Grand Déjeuner, 1921–1922).