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Download as PDF; Printable version; ... Diary of a Cure is a 1930 work by the French artist and writer Jean Cocteau. The book details Cocteau's recovery from ...
Amedeo Modigliani, Jean Cocteau, 1916, Henry and Rose Pearlman Collection, on long-term loan to the Princeton University Art Museum Le combattant by Jean Cocteau, c. 1940, ink and ink wash on paper, 26.5 x 21 cm. Private collection Portrait of Jean Cocteau by Federico de Madrazo y Ochoa, c. 1910–1912 Érik Satie, Parade, thème de Jean Cocteau
The museum did eventually withdraw the works in question. [1] Guédras later felt that she was excluded from the Cocteau Committee that created the museum in the early 2000s because of her discovery. [1] A documentation centre for Cocteau's work is based at the museum, which contains books, magazines, journals, catalogues, and monographs on ...
Download as PDF; Printable version; In other projects Wikidata item; ... Pages in category "Works by Jean Cocteau" The following 2 pages are in this category, out of ...
Orpheus, original title Orphée, is a stage play written by Jean Cocteau, produced in Paris 1926 by Georges Pitoëff and Ludmilla Pitoëff, with decors by Jean Hugo and costumes by Coco Chanel. [1] The play was the first major work for the theater written by Cocteau. It is based on the myth of Orpheus, dealing largely with the supernatural. [2]
The original collection was made up of 102 pieces selected by Jean Cocteau specifically for this museum, including 70 drawings, 2 paintings, 3 lithographs, 2 tapestries and 11 ceramic pieces, all colorful works from Cocteau's Mediterranean period (1950–1963).
The Jean Cocteau House at Milly-la-Forêt. The Jean Cocteau House was the residence of the French poet, artist, playwright and film maker Jean Cocteau (1889–1963), which he purchased with the film actor Jean Marais in 1947, and where he created many of his later works before his death in 1963.
Cocteau acknowledged in the introduction to the script that the play was motivated, in part, by complaints from his actresses that his works were too writer/director-dominated and gave the players little opportunity to show off their full range of talents. La Voix humaine was written, in effect, as an extravagant aria for Madame Berthe Bovy.