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The effect may be dependent on lexical stress (for example, the unstressed first syllable of the word photographer contains a schwa / f ə ˈ t ɒ ɡ r ə f ər /, whereas the stressed first syllable of photograph does not /ˈfoʊtəˌɡræf-ɡrɑːf/), or on prosodic stress (for example, the word of is pronounced with a schwa when it is ...
Stress is a prominent feature of the English language, both at the level of the word (lexical stress) and at the level of the phrase or sentence (prosodic stress).Absence of stress on a syllable, or on a word in some cases, is frequently associated in English with vowel reduction – many such syllables are pronounced with a centralized vowel or with certain other vowels that are described as ...
In an unbounded language the main stress is drawn to 'heavy' syllables (syllables with long vowels and/or consonants at the end of the syllable). Within bounded languages, two more parameters apply: left-to-right vs. right-to-left and quantity sensitive vs. insensitive. Left-to-right vs. right-to-left: In a left-to-right language metrical trees ...
In phonology and studies of languages, syllables are often considered the "building blocks" of words. [1] They can influence the rhythm of a language, its prosody, its poetic metre and its stress patterns. Speech can usually be divided up into a whole number of syllables: for example, the word ignite is made of two syllables: ig and nite.
Ordinarily, in each such word there will be exactly one syllable with primary stress, possibly one syllable having secondary stress, and the remainder are unstressed (unusually-long words may have multiple syllables with secondary stress). For example, the word amazing has primary stress on the second syllable, while the first and third ...
Isochrony is a linguistic analysis or hypothesis assuming that any spoken language's utterances are divisible into equal rhythmic portions of some kind. Under this assumption, languages are proposed to broadly fall into one of two categories based on rhythm or timing: syllable-timed or stress-timed languages [1] (or, in some analyses, a third category: mora-timed languages). [2]
The rhythm of the English language has four different elements: stress, time, pause, and pitch. Furthermore, "When stress is the basis of the metric pattern, we have poetry; when pitch is the pattern basis, we have rhythmic prose" (Weeks 11). Stress retraction is a popular example of phrasal prosody in everyday life. For example:
Acoustic studies show that accented syllables have some of the characteristics of stressed syllables in stress-accent languages (slightly more intensity, more length, more open vowels), but that effect is much less than would normally be expected in stress-accent languages. The main difference is one of pitch, with a contour of (L)+H*. [78]