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Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...
Edgar William Brandt (24 December 1880 – 8 May 1960) was a French ironworker and prolific weapons designer. In 1901 he set up a small workshop at 76 rue Michel-Ange in the 16th arrondissement in Paris, where he began designing, silversmithing, and forging small items such as jewelry, crosses, and brooches.
Paa Joe with a sandal coffin in collaboration with Regula Tschumi for the Kunstmuseum Berne 2006. Paa Joe was born in 1947 at Akwapim in the Eastern Region of Ghana. Joe began his career with a twelve-year apprenticeship as a coffin artist in the workshop of Kane Kwei (1924–1992) in Teshie. [8]
Similarly, only the heads of clan families are permitted to be buried in coffins of that particular shape. Many coffin shapes evoke proverbs, which are interpreted in different ways by the Ga. That is why fantasy coffins are sometimes called proverbial coffins (abebuu adekai) or okadi adekai in the Ga language. [citation needed]
There are two main approaches to creating artificial nails – tips and forms: A tip is a heavyweight nail-shaped plastic plate glued on the end of the natural nail, or, if it is a full-cover tip or "press-on", glued on top of the entire nailbed, and can have gel, dip or acrylic added on top
The earliest English church monuments were simple stone coffin-shaped grave coverings incised with a cross or similar design; the hogback form is one of the earliest types. The first attempts at commemorative portraiture emerged in the 13th century, executed in low relief, horizontal but as in life.
Perhaps already in the 13th Dynasty, these anthropoid coffins were decorated all over with a feather design and are no longer placed within an outer, rectangular coffin. These are the first rishi coffins. In the Late 13th Dynasty, the earliest example mentioned in literature is the coffin of the scribe of the great enclosure Neferhotep. [1]
In 1997, at the Consortium in Dijon, Cattelan dug a coffin-shaped hole in the floor of the museum's main gallery. [42] Mother (1999); at the 1999 Venice Biennale, Cattelan executed this piece, a project that involved an Indian fakir, who practiced a daily ritual of being buried beneath sand in a small room, with only his clasped hands visible. [43]
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