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Tiffany lamps are considered part of the Art Nouveau movement. Considerable numbers of designs were produced from 1893 onwards. Due to Tiffany's dominant influence on the style, the term Tiffany lamp or Tiffany-style lamp has been often used to refer to stained-glass, leaded lamps, even those not made by Tiffany Studios.
Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. Tiffany acquired Stanford Bray's patent [12] for the "copper foil" technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail ...
Tiffany's distinctive style exploited glass containing a variety of motifs such as those found in ring mottle glass, and he relied minimally on painted details. When Tiffany Studio closed in 1929–1930, [ 3 ] [ 1 ] [ 2 ] [ 4 ] the secret formula for making ring mottle glass was forgotten and lost.
Boulud’s cafe was “inspired by the iconic Tiffany’s heritage,” and offers “famously chic Breakfast at Tiffany's, an enchanting afternoon Tea at Tiffany's, and our luxuriously casual all ...
Beyoncé fans can keep the memory of her Renaissance tour close to their hearts thanks to a new limited-edition Tiffany & Co. collection. The 41-year-old singer joined forces with the luxury ...
The stained-glass pieces were first made by Louis Comfort Tiffany, the original design director of Tiffany & Co., in the late 1890s. His style became so popular that other artisans picked it up ...
Art Nouveau glass is fine glass in the Art Nouveau style. Typically the forms are undulating, sinuous and colorful art, usually inspired by natural forms. Pieces are generally larger than drinking glasses, and decorative rather than practical, other than for use as vases and lighting fittings; there is little tableware.
Through the combined efforts of Martin Eidelberg (professor emeritus of art history at Rutgers University), Nina Gray (another independent scholar and former curator at the New-York Historical Society), and Margaret K. Hofer (curator of decorative arts, New-York Historical Society), the involvement of Clara Driscoll and other "Tiffany Girls" in designing Tiffany lamps was widely publicized.
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