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The dynamic range capability of digital audio systems far exceeds that of analog audio systems. Consumer analog cassette tapes have a dynamic range of between 50 and 75 dB. Analog FM broadcasts rarely have a dynamic range exceeding 50 dB. [4] Analog studio master tapes can have a dynamic range of up to 77 dB. [5]
Modern home cinema systems typically augment the audio output from a DVD player or Blu-ray player with a multi-channel power amplifier and anywhere from two speakers and a stereo power amp (for stereo sound) to a 5.1 channel amplifier and five or more surround sound speaker cabinets (with a surround sound system).
Audio electronics were traditionally designed with analog electric circuit techniques until advances in digital technologies were developed. Moreover, digital signals are able to be manipulated by computer software much the same way audio electronic devices would, due to its compatible digital nature. Both analog and digital design formats are ...
Yamaha Y8950 (a.k.a. MSX-AUDIO) 1984 18 9 2 MSX-Audio cartridges for MSX (Panasonic FS-CA1, Toshiba HX-MU900, and Philips NMS-1205) Very similar to Yamaha YM3526, additional adaptive differential PCM (ADPCM) channel, silicon-gate CMOS LSI chip [66] Yamaha YM2164 (a.k.a. OPP) 1985 32 8 4
Articles relating to audio electronics, the implementation of electronic circuit designs to perform conversions of sound/pressure wave signals to electrical signals, or vice versa. Subcategories This category has the following 15 subcategories, out of 15 total.
A sound reinforcement system for a rock concert in a stadium may be very complex, including hundreds of microphones, complex live sound mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians.
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