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Often audio engineers and sound editors use DAWs to manually remove "pops and ticks" from recordings, and the latest spectrographic 'retouching' techniques allow for the suppression or removal of discrete unwanted sounds. DAWs are capable of removing the smallest of anomalies, often without leaving artifacts and other evidence of their removal.
A compression artifact (or artefact) is a noticeable distortion of media (including images, audio, and video) caused by the application of lossy compression. Lossy data compression involves discarding some of the media's data so that it becomes small enough to be stored within the desired disk space or transmitted ( streamed ) within the ...
These errors are termed artifacts (or sound/sonic artifacts), and may be pleasing or displeasing. A sonic artifact is sometimes a type of digital artifact, and in some cases is the result of data compression (not to be confused with dynamic range compression, which also may create sonic artifacts).
Anti-aliasing means removing signal components that have a higher frequency than is able to be properly resolved by the recording (or sampling) device. This removal is done before (re)sampling at a lower resolution. When sampling is performed without removing this part of the signal, it causes undesirable artifacts such as black-and-white noise.
When recording through an audio interface, insufficient computer performance or audio driver issues can cause clicks, pops and dropouts. They can result from improper clock sources [3] and buffer size. Also, clicks can be caused by electric devices near the computer or by faulty audio or mains cables. [4]
Silence can be defined as audio segments with negligible sound. Examples of silence are pauses between words or sentences in speech and pauses between notes in music. By compressing the silent intervals, the audio files become smaller and easier to handle, store, and send while still retaining the original sound quality.
Avoiding pre-echo is a substantial design difficulty in transform domain lossy audio codecs such as MP3, MPEG-4 AAC, and Vorbis. It is also one of the problems encountered in digital room correction algorithms and frequency domain filters in general ( denoising by spectral subtraction, equalization , and others).
Noise reduction techniques exist for audio and images. Noise reduction algorithms may distort the signal to some degree. Noise rejection is the ability of a circuit to isolate an undesired signal component from the desired signal component, as with common-mode rejection ratio.