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Smalti tile, sometimes referred to as Byzantine glass mosaic tile, is a typically opaque glass tile originally developed for use in mosaics created during the time of the Byzantine empire. [ 2 ] Smalti is made by mixing molten glass with metal oxides for color in a furnace; the result is a cloudy mixture poured into flat slabs that are cooled ...
Other techniques include pouring the glaze over the piece, spraying it onto the piece with an airbrush or similar tool, or applying it directly with a tool such as a brush. Though mostly obsolete, salt glaze pottery is another form of glazing. Dry-dusting a mixture over the surface of the clay body or inserting salt or soda into the kiln at ...
It is a veneer of glazed ceramic tile which is ribbed on the back like bathroom tile and usually attached to a grid of metal ties which have been anchored to the building. Glazed architectural terra-cotta was the most complex building material developed. The hollow units were hand cast in molds or carved in clay and heavily glazed, then fired.
Tin-glazing is the process of giving tin-glazed pottery items a ceramic glaze that is white, glossy and opaque, which is normally applied to red or buff earthenware. Tin-glaze is plain lead glaze with a small amount of tin oxide added. [1] The opacity and whiteness of tin glaze encourage its frequent decoration.
Encaustic or inlaid tiles are ceramic tiles in which the pattern or figure on the surface is not a product of the glaze but of different colors of clay. They are usually of two colours but a tile may be composed of as many as six. The pattern appears inlaid into the body of the tile, so that the design remains as the tile is worn down.
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When the technique is used for wall glazing, the entire surface is covered, often showing traces of texture (French brush, parchment, striae, rag rolling). Either oil-based or water-based materials are used for glazing walls, depending upon the desired effect. Kerosene or linseed oil may be used to extend the "open" or working time of oil-based ...
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