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John Knowles Paine. John Knowles Paine (January 9, 1839 – April 25, 1906) was the first American-born composer to achieve fame for large-scale orchestral music. The senior member of a group of composers collectively known as the Boston Six, Paine was one of those responsible for the first significant body of concert music by composers from the United States.
George Whitefield Chadwick (November 13, 1854 – April 4, 1931) was an American composer.Along with John Knowles Paine, Horatio Parker, Amy Beach, Arthur Foote, and Edward MacDowell, he was a representative composer of what is called the Second New England School of American composers of the late 19th century.
George Frideric Handel was the house composer at Cannons from August 1717 until February 1719. [1] The Chandos Anthems and other important works by Handel were conceived, written or first performed at Cannons. Cannons was a large house in Middlesex, the seat of James Brydges, 1st Duke of Chandos who was a patron of Handel.
Gilmore was born in Ballygar, County Galway.He started his music career at age fifteen, and spent time in Canada with an English band. [2] He settled in Boston, Massachusetts in 1848, becoming leader of the Suffolk, Boston Brigade, and Salem bands in swift succession.
Leroy Anderson (/ l ə ˈ r ɔɪ / lə-ROY) (June 29, 1908 – May 18, 1975) was an American composer of short, light concert pieces, many of which were introduced by the Boston Pops Orchestra under the direction of Arthur Fiedler.
At Boston University, she directed the electronic music studio and taught private composition lessons, as well as classes in Advanced Counterpoint, Cannon and Fugue ...
In 1717, Handel became composer in residence at Cannons in Middlesex, seat of James Brydges, Earl of Carnarvon, who in 1719 became the First Duke of Chandos. [1] [2] Johann Christoph Pepusch was Master of Music, having taken up his post before Handel's arrival.
The 1812 overture complete with cannon fire was performed at the 2005 Classical Spectacular. Among the other works, Capriccio Italien is a travelogue of the composer's time there during his years of wandering and a conscious emulation of the Mediterranean episodes in Glinka's Spanish Overtures. [49]