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SATB is an initialism that describes the scoring of compositions for choirs or consorts of instruments. The initials are for the voice types : S, soprano , A, alto , T, tenor and B, bass . It can also describe a choir, collectively for SATB music.
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
An Anglican choir typically uses "SATB" voices (soprano or treble, alto or counter-tenor, tenor, and bass), though in many works some or all of these voices are divided into two for part or all of the piece; in this case the two halves of the choir (one on each side of the aisle) are traditionally named decani and cantoris which sing ...
A part song, part-song or partsong is a form of choral music that consists of a song to a secular or non-liturgical sacred text, [1] written or arranged for several vocal parts. Part songs are commonly sung by an SATB choir, but sometimes for an all-male or all-female ensemble. [ 2 ]
choir SATB and organ — — MS 1877: Kyrie: church: choir STB — — MS 1877: Five well-known pieces: arrangement: arr. as studies for the violin, at the suggestion of Adolphe Pollitzer 1. Larghetto 2. Cavatina 3. Romance 4. Romance 5. Gigue — — Schott 1877: Peckham March: chamber: Harmony Music for wind quintet: 2 flutes, oboe, clarinet ...
In the 17th century the repertoire was enriched with more choral and organ settings of the chorale tunes. By the end of the century a four-part setting for SATB voices had become the standard for the choral settings, while the congregational singing of chorales was tending towards monody with an instrumental accompaniment. The prolific creation ...
SATB and piano; text based on love songs by American woman poets. May Sky (1997) SATB divisi, a cappella; text by Tokuji Hirai, Neiji Ozawa, Reiko Gomyo, and Suiko Matsushita. Reasons for Loving Harmonica (1997) SATB and piano; text by Julie Kane. Density of Light (1998) SATB, treble choir, brass; text by Thomas H. Troeger. Ring the Bells (1998)
Missa Papae Benedicti XVI (2012) SATB choir and organ; Missa Cordi Sacro (2010) SATB choir and organ; Ego Sum Pastor Bonus (2013) for Choir SATB; In the Splendor of the Holy Ones (2013) SATB choir; Behold, a Virgin Shall Conceive (2013) SATB choir; This is the Body (2013) SATB choir; He Who Ponders the Law of the Lord (2013) SATB choir
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