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Glen Dee Hardin (born April 18, 1939) is an American piano player and arranger. He has performed and recorded with such artists as Roy Orbison , Elvis Presley , Emmylou Harris , John Denver , and Ricky Nelson .
Glenn Foster "Slats" Hardin (July 1, 1910 – March 6, 1975) was an American athlete, winner of 400 m hurdles at the 1936 Summer Olympics. Born in Derma, Mississippi , Glenn Hardin was the world's dominant 400 m hurdler in the 1930s and was equally tough in the 400 m flat race.
In the 1500 m, both Bill Bonthron and Glenn Cunningham broke the world record. Jack Torrance also set the shot put world record and Glenn Hardin broke the 400 m hurdles record. About 17,000 spectators attended. [2]
By February 1970, Glen D. Hardin joined on keyboards, replacing Muhoberac who returned to studio work in Los Angeles. [6] [7] (According to Hardin, Muhoberac, "for reasons of his own, didn't want to go on the road anymore.") [6] At that time Bob Lanning, a Los Angeles session drummer joined on drums, briefly replacing Tutt, who had returned by ...
On February 6, 2016, "The Crickets & Buddies" performed in Clear Lake, Iowa, at the Surf Ballroom, the site of Holly's last performance. Members of previous line-ups appeared, including Sonny Curtis, Glen D. Hardin, Albert Lee, Tommy Allsup, Gordon Payne and others. After the show, Allison announced that it was the group's final performance. [17]
Hardin held the Olympic record, as the 1932 winner (Bob Tisdall) had knocked over a hurdle, as well as the world record which he had dropped from 52.0 seconds to 51.8 and then to 50.6 seconds in 1934. Hardin had not lost a 400 metres hurdles race since being beaten by Tisdall in that Los Angeles 1932 final.
Rock and Roll Hall of Fame member Jerry Allison, who played to screaming crowds as a teenager as a member of the seminal 1950s rock band Buddy Holly and the Crickets and co-wrote some of their ...
I Take a Lot of Pride in What I Am is a 1969 studio album by Dean Martin arranged by Glen Hardin and Jimmie Haskell. [1]Martin recorded very little in 1969, only devoting two three-hour sessions in the spring to recording this album. [1]