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To Thee, Redeemer, King! To Whom the lips of children Made sweet Hosannas ring, Thou art the King of Israel Thou David's Royal Son, Who in the LORD'S name comest, The King and Blessèd One. All glory, &c. The company of Angels Is praising Thee on high, And mortal men, and all things Created make reply.
Charles Hutchinson Gabriel (August 18, 1856 – September 14, 1932) was an American composer and lyricist of gospel songs and gospel tunes.He is said to have written and/or composed between 7,000 and 8,000 songs, [1] many of which are available in 21st century hymnals.
The Church Hymnal: a collection of hymns from the Prayer book hymnal (1869) [56] The Book of Common Praise: with music for the Book of Common Prayer (1869) [57] A Church hymnal: compiled from "Additional hymns," "Hymns ancient and modern," and "Hymns for church and home," as authorized by the House of Bishops (1870) [58]
At that time, many of the familiar LDS Church's hymns that are sung today were finally fixed in place – but not with the tunes that were sung back in 1835. The Psalmody was a conscious effort by church leaders to develop a hymn style of their own. Budding composers in the church were encouraged to submit new tunes to fit the new and old lyrics.
This will usually be sung just before the psalm(s) or immediately before the first canticle and may be sung by the choir alone. Otherwise any hymns normally come toward the end of the service, maybe one either side of the sermon (if there is one), or following the anthem. These hymns will generally be congregational.
On high, the armies of angels give glory; below, men, standing in church forming a choir, emulate the same doxologies. Above, the Seraphim declaim the thrice-holy hymn; below, the multitude of men sends up the same. A common festival of the heavenly and the earthly is celebrated together; one Eucharist, one exultation, one joyful choir.
An Anglican choir typically uses "SATB" voices (soprano or treble, alto or counter-tenor, tenor, and bass), though in many works some or all of these voices are divided into two for part or all of the piece; in this case the two halves of the choir (one on each side of the aisle) are traditionally named decani and cantoris which sing ...
Its popularity began to spread in 1969 when it was included in the "100 Hymns for Today" supplement of Hymns Ancient and Modern, one of the standard Church of England hymnbooks of its day. The Methodist church included it (albeit as second choice) in the 1983 Hymns and Psalms, and it was the main choice in the 1986 New English Hymnal. It has ...