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Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Terministic screens – a term coined by Kenneth Burke to explain the way in which the world is viewed when taking languages and words into consideration. Tmesis – separating the parts of a compound word by a different word (or words) to create emphasis or other similar effects. Topos – a line or specific type of argument.
In addition to verbal formulas, many themes have been shown to appear among the various works of Anglo-Saxon literature. The theory proposes to explain this fact by suggesting that the poetry was composed of formulae and themes from a stock common to the poetic profession, as well as literary passages composed by individual artists in a more ...
The term "antithesis" in rhetoric goes back to the 4th century BC, for example Aristotle, Rhetoric, 1410a, in which he gives a series of examples. An antithesis can be a simple statement contrasting two things, using a parallel structure: I defended the Republic as a young man; I shall not desert her now that I am old. (Cicero, 2nd Philippic, 2 ...
However, these terms are also used to refer more narrowly to cases where two words are run together by the omission of a final sound. [1] An example is the elision of word-final /t/ in English if it is preceded and followed by a consonant: "first light" is often pronounced "firs' light" (/fɜrs laɪt/). [2]
Epanadiplosis is a figure of repetition affecting syntactic position (the order of words in the sentence). [2] For César Chesneau Dumarsais, the figure appears “when, of two correlative propositions, one begins and the other ends with the same word”, [3] or when, according to Henri Suhamy, [4] only two propositions are involved.
A prequel is a work that forms part of a backstory to the preceding work. The term "prequel" is a 20th-century neologism from the prefix "pre-" (from Latin prae, "before") and "sequel". [2] [3] Like sequels, prequels may or may not concern the same plot as the work from which they are derived.