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Detail of Jesus's head and veil. Veiled Christ (Italian: Cristo velato) is a carved marble sculpture completed in 1753 by the Neapolitan artist Giuseppe Sanmartino.It is formed from a single block of white marble, and was commissioned by Raimondo di Sangro, a prince of Sansevero, as the centerpiece of the Cappella Sansevero, in Naples, Italy.
The Vestal Virgin Tuccia (Italian: La Vestale Tuccia) or Veiled Woman (Italian: La Velata) is a marble sculpture created in 1743 by Antonio Corradini, a Venetian Rococo sculptor known for his illusory depictions of female allegorical figures covered with veils that reveal the fine details of the forms beneath.
The Veiled Nun is a 20.75 in (52.7 cm) tall marble bust depicting a female figure wearing a veil. The fine details give the illusion that the veil is transparent. Although the title, The Veiled Nun, was already in use in 1874 when the work was first displayed in public, [3] she is not a nun, but rather a woman of means or an allegorical figure.
Carrara marble, or Luna marble (marmor lunense) to the Romans, is a type of white or blue-grey marble popular for use in sculpture and building decor. It has been quarried since Roman times in the mountains just outside the city of Carrara in the province of Massa and Carrara in the Lunigiana , the northernmost tip of modern-day Tuscany , Italy.
The Veiled Virgin is a Carrara marble statue carved in Rome by Italian sculptor Giovanni Strazza (1818–1875) [2] depicting the bust of a veiled Virgin Mary. [3] The exact date of the statue's completion is unknown, but it was probably in the early 1850s. [4] The veil gives the appearance of being translucent, but is carved of marble
Pages in category "Marble sculptures in Italy" The following 134 pages are in this category, out of 134 total. This list may not reflect recent changes. A.
Lorenzo Bartolini, (Italian, 1777–1850), La Table aux Amours (The Demidoff Table), Metropolitan Museum of Art, New York City, Marble sculpture. Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before ...
Apollo and Daphne is a life-sized marble sculpture by the Italian artist Gian Lorenzo Bernini, which was executed between 1622 and 1625.It is regarded as one of the artistic marvels of the Baroque age.