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In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
In classical music, the combination of prelude and fugue is one with a long history. Many composers have written works of this kind. Many composers have written works of this kind. The use of this format is generally inspired by Johann Sebastian Bach 's two books of preludes and fugues — The Well-Tempered Clavier — completed in 1722 and ...
Honey and Rue is a song cycle composed by Oscar and Grammy award winner André Previn and premiered by Kathleen Battle, with words from poems by Nobel laureate Toni Morrison. [1] It is scored for a solo soprano and small orchestra and is influenced by the rhythms of jazz , blues and American spirituals . [ 2 ]
The Virginia Tech Multimedia Music Dictionary, with definitions, pronunciations, examples, quizzes and simulations; The Music-Web Music Encyclopedia, for musicians, composers and music lovers; Dolmetsch free online music dictionary, complete, with references to a list of specialised music dictionaries (by continent, by instrument, by genre, etc.)
In a sense, Sleaford Mods belong to a long British post-punk tradition of bands like the Fall and Half Man Half Biscuit, with cerebral, political speak-singing over minimalist grooves.
Additionally, they can take form as commentary to a statement, an answer to a question or repetition of a phrase following or slightly overlapping the initial speaker(s). [2] It corresponds to the call and response pattern in human communication and is found as a basic element of musical form, such as the verse-chorus form, in many traditions.
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A rondeau (French:; plural: rondeaux) is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of three formes fixes, and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries.