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Literary realism is a literary genre, part of the broader realism in arts, that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements. It originated with the realist art movement that began with mid- nineteenth-century French literature ( Stendhal ) and Russian literature ( Alexander Pushkin ...
The effect of reality (French: effet de réel) is a textual device identified by Roland Barthes, the purpose of which was to establish literary texts as realistic. History [ edit ]
The term began to appear in the cultural pages of science magazines during the first decade of the 21st century [8] [9] [10] and has been championed by such scientist novelists such as Carl Djerassi, Ann Lingard [11] and Jennifer Rohn. An upturn in the publication of lab-lit novels occurred in the 1990s, with five to ten new titles appearing ...
Fiction theory (also referred to as Fictionality theory) is a discipline that applies a form of possible world theory to literature. Drawing on concepts found in related theories and psychological ideas such as parasocial interaction (PSI) and fictionalism , theorists of fiction study the relationships between perceived textual worlds and ...
Magical realism is the most commonly used of the three terms and refers to literature in particular. [2]: 1–5 Magic realism often refers to literature in particular, with magical or supernatural phenomena presented in an otherwise real-world or mundane setting, commonly found in novels and dramatic performances.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
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Hysterical realism [1] is a term coined in 2000 by English critic James Wood to describe what he sees as a literary genre typified by a strong contrast between elaborately absurd prose, plotting, or characterization, on the one hand, and careful, detailed investigations of real, specific social phenomena on the other.