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The Hymn of the Pearl (also Hymn of the Soul, Hymn of the Robe of Glory or Hymn of Judas Thomas the Apostle) is a passage of the apocryphal Acts of Thomas. In that work, originally written in Syriac, the Apostle Thomas sings the hymn while praying for himself and fellow prisoners. Some scholars believe the hymn predates the Acts, as it only ...
"Jesus Is Coming Soon" is a 1942 gospel song composed by R. E. Winsett. [1] The song has become a Southern gospel standard, as evidenced by its recording history. It was awarded the title "Song of the Year" in 1969 at the 1st GMA Dove Awards. [2]
"Thine Be the Glory, Risen Conquering Son" (French: À toi la gloire O Ressuscité), also titled "Thine Is the Glory", [1] is a Christian hymn for Easter, written by the Swiss Protestant minister, Edmond Budry (1854–1932), and set to the tune of the chorus "See, the Conqu'ring hero comes" from the third section of Handel's oratorio Judas Maccabaeus.
Hymns by Johnny Cash is the third studio album and first gospel album by American singer Johnny Cash.The album was produced in 1958 and released in 1959. An alternate version of the song It was Jesus was an added bonus track after the album was re-issued in 2002.
Director Shaka King tasked singer and songwriter H.E.R to bring home the end of “Judas and the Black Messiah.” Her challenge was what tone to go for. The original song contender “Fight For ...
The hymn is most commonly set to [17] and was made famous by [18] the tune "St Fulbert" by Henry John Gauntlett, which first appeared in The Church Hymn and Tune Book (London, 1852). There it was used for the hymn "Now Christ, our Passover, is slain" and was known as "St Leofred".
" Vom Himmel hoch, da komm ich her" ("From Heaven Above to Earth I Come") is a hymn text relating to the Nativity of Jesus, written by Martin Luther in 1534. The hymn is most often sung to the melody, Zahn No. 346, which first appeared in a 1539 songbook and was probably also composed by Luther.
Over the years, publication of this hymnal moved from Manchester to Liverpool, and finally to Salt Lake City in 1890. As more hymns were added, the book grew from 323 pages in 1840 to 456 pages in the 1905 edition. However, it was still a words-only hymnal; the tunes were sung from memory or by referencing a tune book alongside the hymnbook. [1 ...