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The Official Blues Band Bootleg Album (1980). Number 40 UK; Ready (1980). Number 36 UK; Itchy Feet (1981). Number 60 UK; Brand Loyalty (1982) Bye-Bye Blues (1983) These Kind of Blues (1986) Back for More (1989) Fat City (1991) Homage (1993) Wire Less (1995) Live at the BBC (1996) 18 Years Old and Alive (1996) The Best of The Blues Band (1999 ...
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A linear response is given by a gamma value of 1.0, but actual CRT nonlinearities have a gamma value around 2.0 to 2.5. Similarly, the intensity of the output on TV and computer display devices is not directly proportional to the R, G, and B applied electric signals (or file data values which drive them through digital-to-analog converters).
Critics acknowledged the sharp transformation in the band's sound and were generally favorable towards Hex.Writing for Pitchfork, Austin Gaines described the album as a "surprisingly beautiful instrumental album" that exchanged distorted riffing for "the austere beauty of a telecaster roaming the Western U.S." [7] In Exclaim!, Kevin Hainey praised the album as "an elegant and singular effort ...
Hex is the 1989 self-titled debut album by indie pop band Hex, a duo formed by guitarist, songwriter, and lead vocalist Donnette Thayer, previously of Game Theory, and Steve Kilbey of Australian psychedelic rock band The Church.
Because there it always sits, around Number 62 or so, this unhinged 1969 double album of cranky macho blues, avant-garde freakouts, drug poetry and free jazz mongoose throttling.
Let Me Play with Your Poodle (album) Let the Bells Ring On; Let's Do It Again (Leela James album) Live in San Francisco (Ry Cooder and Corridos Famosos album) Live: Hope at the Hideout; Lost Futures; Love Wins Again; Love, War and the Ghost of Whitey Ford
Rock Hard magazine's The 500 Greatest Rock & Metal Albums of All Time: #341 [134] Classic Rock and Metal Hammer's 200 Greatest Albums of the 90s [87] Visions' "300 Albums for Eternity": #64 [533] 12 October 1999 Black On Both Sides: Mos Def: East Coast hip hop [534] Rawkus/Priority: Pitchfork's "The 150 Best Albums of the 1990s": #30 [15]