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Shiva and Parvati are often represented sitting face to face (the sammukha mudra). They can also be seen in various postures connoting love and desire such as embracing each other in the alingana pose. Shiva in some representations touches and caresses Parvati's breasts (the kuca-sparsa pose) or holds her in his lap (atikarohana form).
As Shiva's wife, Parvati represents the life-affirming, creative force that complements Shiva's austere, world-denying nature. Her presence in his life draws him from isolation into worldly engagement, thus balancing the two poles of asceticism and householder life in Hindu philosophy.
Tamil temple lore narrates that once the gods and sages had gathered at Shiva's abode, they prayed their respects to Shiva and Parvati. However, the sage Bhringi had vowed to worship only one deity, Shiva, and ignored Parvati while worshipping and circumambulating him. Agitated, Parvati cursed Bhringi to lose all his flesh and blood, reducing ...
To the left of this are traces of Shiva-Parvati, ... Somnath converted into mosque, partly correct, partly embellished sketch (1850 CE) Somnath Temple in 1957.
Somaskanda, Salar Jung Museum. In the Somaskanda representation, Shiva is seated in the sukhasana pose, with his left leg folded and depicted with four hands. His upper two hands perform the kartarimukha-hasta, holding a Mazhu (மழு) (Axe) in the right, and a deer in the left.
Shiva wears a jata-mukuta (a headdress formed of piled, matted hair), while Parvati's hair is arranged in a bun. In an upper arm, Shiva holds a trishula (trident) and his lower right arm makes the abhayamudra (fear-not gesture). The couple may be seated on a lotus pedestal or rest their feet on it. In some cases, Parvati is seated on Shiva's ...
Parvati initially tried to allure Shiva by her beauty, but failed. Finally, she won Shiva by practising rigorous penance at Gauri Kund, which is 5 kilometres (3.1 mi) away from Triyuginarayan. Pilgrims visiting Triyuginaryan temple also visit the Gauri Kund temple, dedicated to Parvati, which is the base camp for trek to Kedarnath Temple. [8]
English: Display Artist: Nainsukh Creation Date: last quarter 18th century Display Dimensions: 6 9/16 in. x 9 5/8 in. (16.7 cm x 24.45 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1285