Search results
Results from the WOW.Com Content Network
Various wedding guests are depicted in the scene. Shiva's attendant ganas enjoy the festivities; playing drums or dancing. The vahanas (mounts) of the couple, Shiva's bull Nandi and Parvati's lion, are sometimes pictured in the scene. In vertical panel depictions, the celestial guests are often shown flying over Shiva and Parvati.
Sitalsasthi is celebrated to commemorate the marriage of Lord Parvati and Lord Shiva, as described in the Shiva Purana. [3] According to the legend, when the demon Tarakasura [4] was wreaking havoc across the three realms—Svarga (heaven), Martiya (earth), and Patala (underworld)—the gods approached Lord Vishnu for a solution.
In Hindu mythology, the birth of Parvati is primarily understood as a cosmic event meant to lure Shiva out of his ascetic withdrawal and into the realm of marriage and household life. As Shiva's wife, Parvati represents the life-affirming, creative force that complements Shiva's austere, world-denying nature.
Tamil temple lore narrates that once the gods and sages had gathered at Shiva's abode, they prayed their respects to Shiva and Parvati. However, the sage Bhringi had vowed to worship only one deity, Shiva, and ignored Parvati while worshipping and circumambulating him. Agitated, Parvati cursed Bhringi to lose all his flesh and blood, reducing ...
Kalyanasundara: the wedding of Shiva and Parvati. The niche image carved on the southwest wall, near the Linga shrine (see 6 on plan) is the wedding of Shiva and Parvati. This legend is called the Kalyanasundara in Hindu texts. [42] Parvati is seen standing to Shiva's right, the customary place for a Hindu bride at the wedding.
According to Hindu dharma, goddess Parvati was daughter of Himavat or Himavan – the personification of the Himalayas. She was the rebirth of Sati, the first wife of Shiva – who sacrificed her life when her father insulted Shiva. Parvati initially tried to allure Shiva by her beauty, but failed.
The walls on the interior of the sanctum have sculptural representations of Shiva and Parvati on the west, Vishnu on the north, and Brahma on the south. The shrine of Girisundari Amman, the consort of Kalyanasundareshwar, is located in the first precinct facing west. The temple also has a bronze image of Nataraja, the cosmic dance form of Shiva ...
Shiva and Parvati are often represented sitting face to face (the sammukha mudra). They can also be seen in various postures connoting love and desire such as embracing each other in the alingana pose. Shiva in some representations touches and caresses Parvati's breasts (the kuca-sparsa pose) or holds her in his lap (atikarohana form).