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Neapolitan presepio at the Carnegie Museum of Art in Pittsburgh Detail of an elaborate Neapolitan presepio in Rome. In the Christian tradition, a nativity scene (also known as a manger scene, crib, crèche (/ k r ɛ ʃ / or / k r eɪ ʃ /), or in Italian presepio or presepe, or Bethlehem) is the special exhibition, particularly during the Christmas season, of art objects representing the birth ...
The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition.
The Nativity is an oil painting by Italian Renaissance artist Piero della Francesca, dated to 1470–75. The painting depicts a scene from the birth of Jesus, and is one of the latest surviving paintings made by the artist before his death in 1492. Held by the National Gallery in London, it measures 124.4 cm × 122.6 cm (49.0 in × 48.3 in). [1]
Nativity. (Christus) Nativity, c. mid-1450s. Oil on wood, 127.6 cm × 94.9 cm (50.2 in × 37.4 in), National Gallery of Art, Washington, D.C. The Nativity is a devotional mid-1450s oil-on-wood panel painting by the Early Netherlandish painter Petrus Christus. It shows a nativity scene with grisaille archways and trompe-l'œil sculptured reliefs.
Victorio Candido Edades (December 23, 1895 – March 7, 1985) was a Filipino painter. He led the revolutionary Thirteen Moderns, who engaged their classical compatriots in heated debate over the nature and function of art. He was named a National Artist in 1976. The history names Victorio Edades as “the father of Modern Philippine art".
Medium. Oil on canvas. Dimensions. 134 cm × 105 cm (53 in × 41 in) Location. Museo del Prado, Madrid. The Nativity is an oil on canvas painting by Italian painter Federico Barocci, created in 1597. It depicts the episode of the Nativity of Jesus. It is held in the Museo del Prado, in Madrid.
William Blake drew and painted illustrations for John Milton 's nativity ode On the Morning of Christ's Nativity between 1803 and 1815. A total of 16 illustrations are extant: two sets of six watercolours each, and an additional four drawings in pencil. The dating of the sets is unknown, as is Blake's intended sequence for the illustrations.
The Satanic Temple erected its display as a Nativity scene was installed at the Statehouse. Both displays have prompted questions over whether religious symbols should be allowed on state property.
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