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Hanging scroll. A hanging scroll is one of the many traditional ways to display and exhibit East Asian painting and calligraphy. They are different from handscrolls, which are narrower and designed to be viewed flat on a table. Hanging scrolls are generally intended to be displayed for short periods of time, after which they are rolled up and ...
A kakemono (掛物, "hanging thing"), more commonly referred to as a kakejiku (掛軸, "hung scroll"), is a Japanese hanging scroll used to display and exhibit paintings and calligraphy inscriptions and designs mounted usually with silk fabric edges on a flexible backing, so that it can be rolled for storage. The "Maruhyōsō" style of kakejiku ...
Standard Mandarin. Hanyu Pinyin. shǒujuàn. The handscroll is a long, narrow, horizontal scroll format in East Asia used for calligraphy or paintings. A handscroll usually measures up to several meters in length and around 25–40 cm in height. [ 2] Handscrolls are generally viewed starting from the right end. [ 3]
A tokonoma with a hanging scroll and ikebana flower arrangement Detailed view of a tokonoma and aspects of a Japanese room View from the side of a tokonoma Tokonoma at Tenryū-ji. A tokonoma (床の間), [1] or simply toko (床), [2] [3] is a recessed space in a Japanese-style reception room, in which items for artistic appreciation are displayed.
The mandala in Nichiren Buddhism is a moji-mandala (文字曼陀羅), which is a paper hanging scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment, protective Buddhist deities, and certain Buddhist concepts.
Shōka arrangement by the 40th headmaster Ikenobō Senjō, drawing from the Sōka Hyakki by the Shijō school, 1820. Ikebana flower arrangement in a tokonoma (alcove), in front of a kakemono (hanging scroll) Ikebana ( 生け花, 活け花, 'arranging flowers' or 'making flowers alive') is the Japanese art of flower arrangement. [ 1][ 2] It is ...
A hanging scroll painted by Kanō Masanobu The school was founded by the very long-lived Kanō Masanobu (1434–1530), who was the son of Kagenobu, a samurai and amateur painter. [6] Masanobu was a contemporary of Sesshū (1420–1506), a leader of the revival of Chinese influence, who had actually visited China in mid-career, in around 1467.
While known in the Western Europe as the "tea ceremony", in the original Japanese fabric and context the practice of tea can be more accurately described as "Teaism". The Japanese tea ceremony (known as sadō/chadō (茶道, 'The Way of Tea') or chanoyu (茶の湯)) is a Japanese cultural activity involving the ceremonial preparation and ...