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A sonatina (French: “sonatine”, German: “Sonatine") is a small sonata.As a musical term, sonatina has no single strict definition; it is rather a title applied by the composer to a piece that is in basic sonata form, but is shorter and lighter in character, or technically more elementary, than a typical sonata. [1]
The sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period ).
Sonata form is one of the most influential ideas in the history of Western classical music.Since the establishment of the practice by composers like C.P.E. Bach, Haydn, Mozart, Beethoven, and Schubert and the codification of this practice into teaching and theory, the practice of writing works in sonata form has changed considerably.
Crucial to most interpretations of the sonata form is the idea of a tonal center; and, as the Grove Concise Dictionary of Music puts it: "The main form of the group embodying the 'sonata principle', the most important principle of musical structure from the Classical period to the 20th century: that material first stated in a complementary key ...
Occasionally the development is omitted and replaced with a simple transition, leaving the exposition and recapitulation: this is sometimes referred to as sonatina form, or a Type I sonata in sonata theory. One example of the piece in sonata form without development is the second movement of Beethoven's Piano Sonata No. 17, "The Tempest".
The first movement is a well-structured, even straightforward, sonata form (albeit utilizing Ravel’s Impressionistic harmonic colorings). Two themes emerge in the exposition—the first in tonic key of F-sharp minor, and the second in D major and B minor. Owing to its diminutive form, the following minuet exists without a trio.
The third movement usually follows a dance-like form, such as Minuet [or Scherzo] and Trio form. It is commonly written in the home key. Or, if used as the last movement, is in a fast tempo such as prestissimo, presto, or vivace. Like in Beethoven's "Pathetique" sonata Op.13 Third Movement
The entire sonata form, therefore, is understood as a dynamic trajectory toward the ESC, the basic plan of which is foreshadowed by the exposition's approach to the EEC. This teleology is central to Sonata Theorys conception of the dramatic and expressive potential of sonata form as a whole. The crux is the part of the recapitulation where the ...