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Illustration of the hero's journey. In narratology and comparative mythology, the hero's quest or hero's journey, also known as the monomyth, is the common template of stories that involve a hero who goes on an adventure, is victorious in a decisive crisis, and comes home changed or transformed.
English: This image outlines the basic path of the monomyth, or "Hero's Journey". The diagram is loosely based on Campbell (1949) and (more directly?) on Christopher Vogler, "A Practical Guide to Joseph Cambell’s The Hero with a Thousand Faces" (seven-page-memo 1985).
In storytelling, the heroine's journey is a female-centric version of the traditional hero's journey template. One origin of the idea is Maureen Murdock's 1990- book The Heroine's Journey: Woman's Quest for Wholeness; Murdock is a Jungian psychotherapist and a student of Joseph Campbell. She developed the guide while working with her female ...
Herald: a force that brings a new challenge to the hero; Shapeshifter: characters who change constantly from the hero's point of view; Shadow: character who represents the energy of the dark side; Ally: someone who travels with the hero through the journey, serving variety of functions; Trickster: embodies the energies of mischief and desire ...
Finally, in the resolution, the hero overcomes his burden against the odds. The key thesis of the book: "However many characters may appear in a story, its real concern is with just one: its hero. It is the one whose fate we identify with, as we see them gradually developing towards that state of self-realization which marks the end of the story.
"Initiation" refers to the hero's adventures that will test him along the way. The last part of the monomyth is the "Return", which follows the hero's journey home. Campbell studied religious, spiritual, mythological and literary classics including the stories of Osiris, Prometheus, the Buddha, Moses, Mohammed, and Jesus. The book cites the ...
The four heroes from the 16th-century Chinese novel Journey to the West. In narratology and comparative mythology, the Rank–Raglan mythotype (sometimes called the hero archetypes) is a set of narrative patterns proposed by psychoanalyst Otto Rank and later on amateur anthropologist Lord Raglan that lists different cross-cultural traits often found in the accounts of heroes, including ...
A katabasis is arguably a specific type of the famous Hero's journey. In the Hero's journey, the hero travels to a forbidden, unknown realm; a katabasis is when that place is specifically the underworld. Pilar Serrano uses the term to encompass brief or chronic stays in the underworld as well, such as those of Lazarus, and Castor and Pollux. [1]