Search results
Results from the WOW.Com Content Network
"God Save the Tsar!" (Russian: Боже, Царя храни!, IPA: [ˈboʐɨ tsɐˈrʲa xrɐˈnʲi]) was the national anthem of the Russian Empire. The song was chosen from a competition held in 1833 and was first performed on 18 December 1833. It was composed by violinist Alexei Lvov, with lyrics written by the court poet Vasily Zhukovsky.
After defeating the First French Empire, Tsar Alexander I of Russia recommended a national anthem for Russia. The lyrics were written by Vasily Zhukovsky, and the music of the British anthem "God Save the King" was used. In 1833, "The Prayer of Russians" was replaced with "God Save the Tsar".
Bloody Sunday (Russian: Кровавое воскресенье, romanized: Krovavoye voskresenye, IPA: [krɐˈvavəɪ vəskrʲɪˈsʲenʲjɪ]), also known as Red Sunday (Russian: Красное воскресенье), [1] was the series of events on Sunday, 22 January [O.S. 9 January] 1905 in St Petersburg, Russia, when demonstrators, led by Father Georgy Gapon, were fired upon by soldiers ...
(Reuters) - "God save the Tsar!" was one of the first public birthday wishes for President Vladimir Putin who turns 72 on Monday and who has been Russia's paramount leader for nearly quarter of a ...
A new era. King Charles III got emotional as Queen Elizabeth II‘s funeral came to an end and he received a tribute of his own. Every Actress Who Has Portrayed Queen Elizabeth II: Helen Mirren ...
The Festival Coronation March in D major, TH 50, ČW 47, is an orchestral work by Peter Ilyich Tchaikovsky ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March 1883 and performed for the first time on June 4 [O.S. May 23], 1883 in Sokolniki Park (Moscow), conducted by Sergei Taneyev. [1]
The ostentatious coronation probably didn't help a royal family already tarnished by Prince Harry, Prince Andrew, Netflix's 'The Crown' and general obliviousness.
This is based on a simple melody with the character of a rustic dance that is passed around the orchestra, until finally it gives way to a solemn statement of the Russian imperial anthem "God Save the Tsar". The third section of the piece is a repeat of Tchaikovsky's furious orchestral climax from the first section, reiterating the Serbian cry ...