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"Tales of Brave Ulysses" is a song recorded in 1967 by British group Cream. [3] It was released as the B-side to the "Strange Brew" single in May 1967. [1] In November, the song was included on Cream's second album, Disraeli Gears. [4] The song features one of the earliest uses of a wah-wah pedal, which guitarist Eric Clapton plays throughout ...
Royal Albert Hall London May 2-3-5-6, 2005 is a live album by the British rock band Cream, recorded at the Royal Albert Hall in 2005 during the band's reunion tour. As the title implies, the recording includes songs from their four reunion shows on 2, 3, 5, and 6 May 2005.
Farewell Concert is the live recording of the band Cream's final concert at the Royal Albert Hall on 26 November 1968. Aside from the band's reunion concert in 2005 it is Cream's only official full concert release on video. It was originally broadcast by the BBC on 5 January 1969. It was not released on video in the US until 1977.
It was the first Cream single on which he sang lead. Unlike the group's previous single, "I Feel Free", no promotional video was made for the song, but the band mimed to it on television on the German program Beat Club on 19 May 1967. [6] The song later appeared on the soundtrack of the 1979 feature film, More American Graffiti.
Disraeli Gears is the second studio album by the British rock band Cream.It was produced by Felix Pappalardi and released on Reaction Records.The album features the singles "Strange Brew" and "Sunshine of Your Love".
Live Cream Volume II is the second live album by the British rock band Cream, released in March 1972 by Polydor Records (Atco Records in the US). This album contains six tracks recorded at various performances from 9 March to 4 October 1968.
They began with "Strange Brew", "Tales of Brave Ulysses", and "Sunshine of Your Love". [20] Ertegun previewed the demos and was unhappy, expecting blues-based material like that to be found on Fresh Cream. [21] Jerry Wexler, Ertegun's Atlantic Records partner, reportedly went as far as to call it "psychedelic hogwash". [16]
The song has an identical chord progression to Cream's previous recording "Tales of Brave Ulysses". [9] Both Bruce and Baker claimed to have added the distinctive 5 4 or quintuple metre opening to what had been a 4 4 or common time composition. [10] Bruce later revealed that the 5 4 opening had made the record company wary that it would do well ...