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Modern Scottish Poetry (Faber) The New American Poetry 1945-1960; The New British Poetry; New Oxford Book of English Verse 1250-1950; New Poets of England and America; The New Poetry, A. Alvarez ed. New Provinces, F.R. Scott ed. Other: British and Irish Poetry since 1970; Oxford Book of Contemporary Verse; Oxford Book of English Mystical Verse
An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the vehicle).
Donne's use of a drafting compass as an analogy for the couple—two points, inextricably linked—has been both praised as an example of his "virtuoso display of similitude", [1] and also criticised as an illustration of the excesses of metaphysical poetry; despite detractors, it remains "the best known sustained conceit" in English poetry. [2]
Charles Baudelaire's collection of poems Les Fleurs du mal contains a poem entitled "L'Albatros" (1857) about men on ships who catch the albatrosses for sport. In the final stanza, he goes on to compare the poets to the birds — exiled from the skies and then weighed down by their giant wings, till death.
A list of metaphors in the English language organised alphabetically by type. A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g.,
Examples of allegory in popular culture that may or may not have been intended include the works of Bertolt Brecht, and even some works of science fiction and fantasy, such as The Chronicles of Narnia by C. S. Lewis. The story of the apple falling onto Isaac Newton's head is another famous allegory. It simplified the idea of gravity by ...
The focus, however, is on English works: the poems of Chaucer, Gower's Confessio Amantis and Usk's Testament of Love, the works of Chaucer's epigones, and Spenser's Faerie Queene. The book is ornamented with quotations from poems in many languages, including Classical and Medieval Latin, Middle English, and Old French. The piquant English ...
[citation needed] This was a subject Shelley wrote a great deal about, especially around 1819, with this strongest version of it articulated the last famous lines of his "Defence of Poetry": "Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which ...