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Flight 714 was the twentieth story of The Adventures of Tintin to be adapted. Directed by Stéphane Bernasconi, the series has been praised for being "generally faithful", with compositions having been actually directly taken from the panels in the original comic book.
The book was considered by critics to be an antithesis of the previous Tintin ventures. [33] Michael Farr, author of Tintin: The Complete Companion, stated that in The Castafiore Emerald, Hergé permits Haddock to remain at home in Marlinspike, an ideal that the "increasingly travel weary" character had long cherished, [34] further stating that if Hergé had decided to end the Tintin series ...
In an interview, Hergé himself suggested that Krollspell had worked in a concentration camp—Flight 714 to Sydney having been published some 20 years after the war. The name "Krollspell" is Brussels dialect for krulspeld, which means "hair curler". Dr. Krollspell is the head of a psychiatric clinic in New Delhi (Cairo in the English version).
In 1932, the editors of Cœurs vaillants, who wanted to avoid publishing the scene where Tintin plays the schoolmaster in Tintin in the Congo, asked the illustrator to create a box to tie in with the rest of the story. In this version, a missionary informs Tintin that an elephant hunt will be organized in his honor the following day, which ...
The proposal fell through as Disney was busy working on Cinderella around that time, though Hergé did receive a Mickey Mouse trophy and a picture showing Tintin and Mickey shaking hands decades later. [1] Live action films: Tintin and the Mystery of the Golden Fleece (Tintin et le mystère de la Toison d'or) (1961, live action, original story)
Tintin (French: Le Journal de Tintin; Dutch: Kuifje) was a weekly Belgian comics magazine of the second half of the 20th century. Subtitled "The Magazine for the Youth from 7 to 77", it was one of the major publications of the Franco-Belgian comics scene and published such notable series as Blake and Mortimer, Alix, and the principal title The Adventures of Tintin.
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After meeting Hergé, Farr started writing books about Tintin. Farr was the first to gain full access to the files and material Hergé had used in developing the Tintin stories, for his book Tintin: The Complete Companion. In 2004 Farr was interviewed on BBC News in a section on the Tintin exhibition at the National Maritime Museum, Greenwich. [1]
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