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Sansagari means "lowered three" or "lowered third", referring to tuning the shamisen to honchoushi and lowering the 3rd string (the string with the highest pitch) down a whole step, so that the instrument is tuned in fourths, e.g. C-F-B♭.
The traditional names for the strings are (from thick to thin) uujiru (男絃, "male string"), nakajiru (中絃, "middle string"), and miijiru (女絃, "female string"). The sanshin has five tunings called chindami (ちんだみ): [2] Hon chōshi (本調子) – "standard tuning" (i.e. C 3, F 3, C 4 expressed in terms of International Pitch ...
The following is a list of basic components that normally make up a kankara sanshin, with Japanese phrases that refer to the English terms in sanshin and shamisen parlance: Body (胴, chiiga/dou) — An empty metal can or cylinder is used to create the body of the instrument, in lieu of the snakeskin-covered bodies typical of sanshin.
Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string , wind , and percussion instruments.
This variety of instrument came in two basic forms, a zither that had bridges and a zither without bridges. An 1878 depiction by Settei Hasegawa of a woman playing the koto. When the koto was first imported to Japan, the native word koto was a generic term for any and all Japanese stringed instruments.
[2] [3] Many of the "classic" nagauta repertoire was composed in the 19th century, which is the time of the best-known nagauta composers as well. Many pieces are based on Noh theater, partly due to the number of kabuki plays derived from Noh theater pieces, and many were revived during the 19th century. [ 1 ]
The gottan (ごったん), also known as the hako shamisen ("box shamisen") or ita shamisen ("board shamisen "), [1] is a traditional Japanese three-stringed plucked instrument, often considered either a relative or derivative of the sanshin, itself a relative of the shamisen.
In traditional Japanese music, sawari is the name of a buzzy sound quality, or timbre, that is often found in and/or expected of certain traditional stringed instruments. In the shamisen, for example, the sound quality is produced by the first, or lowest string, which is purposely laid lower than the rest of the strings at the nut of the ...