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Clothing has been one of the main ways Sofonisba Anguissola has shaped her personal image in her self-portraits. In pieces such as Self Portrait at an Easel (1556-1565) and Self Portrait (1554), Anguissola is depicted in a simple black dress with a white frilled collar underneath. This was seen by many at the time as an attestation of the ...
A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
Self-Portrait Painting Marie Antoinette is an oil on canvas painting by Élisabeth Vigée Le Brun, from 1790. It is held in the collection of the Uffizi , in Florence . Le Brun painted the work in Rome after fleeing France to escape the French Revolution in 1789.
The original macaroni of the 1760s was characterized by elaborate dress consisting of short and tight trousers, large wigs, delicate shoes and small hats. [17] As the general population of English males became exposed to the luxurious appeal of the macaroni trend, they began to adopt and replicate the trends they saw.
The physiognomy of this miniature is typical of the self-portraits in which she self-fashioned herself dressed simply in black dresses, pristine undershirts with white lace collars as a confirmation of her modesty and virtue. [7] The austerity of her clothing and lack of ornamentation serve to highlight her natural beauty and features. [7]
Full light falls from the left across the face and on the white shirt. Light grey background. In a painted oval frame. Life size, half-length. Painted about 1634. Traces of a signature occur below the bow to the right; oak panel, 26 inches by 20 inches.
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