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The American manual alphabet, an example of letters in fingerspelling. Before alphabets, phonograms, graphic symbols of sounds, were used.There were three kinds of phonograms: verbal, pictures for entire words, syllabic, which stood for articulations of words, and alphabetic, which represented signs or letters.
Letters, especially those with a signature and/or on an organization's own notepaper, are more difficult to falsify than is an email, and thus provide much better evidence of the contents of the communication. A letter in the sender's own handwriting is more personal than an e-mail and shows that the sender has taken the effort to write it.
A form letter is a letter written from a template, rather than being specially composed for a specific recipient.The most general kind of form letter consists of one or more regions of boilerplate text interspersed with one or more substitution placeholders.
Business letters can have many types of content, for example to request direct information or action from another party, to order supplies from a supplier, to point out a mistake by the letter's recipient, to reply directly to a request, to apologize for a wrong, or to convey goodwill. A business letter is sometimes useful because it produces a ...
An alphanumeric outline includes a prefix at the beginning of each topic as a reference aid. The prefix is in the form of Roman numerals for the top level, upper-case letters (in the alphabet of the language being used) for the next level, Arabic numerals for the next level, and then lowercase letters for the next level.
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The letter eth (Ð ð) was later devised as a modification of dee (D d), and finally yogh (Ȝ ȝ) was created by Norman scribes from the insular g in Old English and Irish, and used alongside their Carolingian g. The a-e ligature ash (Æ æ) was adopted as a letter in its own right, named after a futhorc rune æsc.
A rehearsal letter, sometimes referred to as rehearsal marks, [1] [2] rehearsal figures, [3] or rehearsal numbers, is a boldface letter of the alphabet in an orchestral score, and its corresponding parts, that provides the conductor, who typically leads rehearsals, with a convenient spot to tell the orchestra to begin at places other than the start of movements or pieces.