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"An Irish Airman Foresees His Death" is a poem by Irish poet William Butler Yeats (1865–1939), written in 1918 and first published in the Macmillan edition of The Wild Swans at Coole in 1919. [1] The poem is a soliloquy given by an aviator in the First World War in which the narrator describes the circumstances surrounding his imminent death.
"An Irish Airman Foresees his Death" "Men improve with the Years" "The Collar-Bone of a Hare" "Under the Round Tower" "Solomon to Sheba" "The Living Beauty" "A Song" "To a Young Beauty" "To a Young Girl" "The Scholars" "Tom O'Roughley" "The Sad Shepherd" "Lines written in Dejection" "The Dawn" "On Woman" "The Fisherman" "The Hawk" "Memory" "Her ...
Hugh Lane offered his collection of paintings to the city of Dublin, provided that a municipal gallery was built to house them. [1] However, significant opposition, led by William Martin Murphy, a prominent member of the Dublin Corporation and the owner of the Irish Independent, arose against the plan.
The Works of William Blake: Poetic, Symbolic and Critical, edited with lithographs of the illustrated prophetic books, and a memoir and interpretation by Edwin John Ellis and William Butler Yeats, is a three-volume commentary book about the English poet, painter and printmaker William Blake.
William Robert Gregory MC (20 May 1881 – 23 January 1918) [1] was an Irish flying ace who served as a fighter pilot with the Royal Flying Corps during World War I. He was also an accomplished artist and cricket player. His death was memorialised in a series of poems by W. B. Yeats.
1919 – The Wild Swans at Coole, significant revision of the 1917 edition: has the poems from the 1917 edition and others, including "An Irish Airman Foresees His Death" and "The Phases of the Moon"; contains: "The Wild Swans at Coole", "Ego Dominus Tuus", "The Scholars" and "On being asked for a War Poem" [2]
A Vision: An Explanation of Life Founded upon the Writings of Giraldus and upon Certain Doctrines Attributed to Kusta Ben Luka, privately published in 1925, is a book-length study of various philosophical, historical, astrological, and poetic topics by the Irish poet William Butler Yeats.
The initial social and ideological distance between Yeats and some of the revolutionary figures is portrayed in the poem when, in the first stanza, the poem's narrator admits to having exchanged only "polite meaningless words" (6) with the revolutionaries prior to the uprising, and had even indulged in "a mocking tale or gibe" (10) about their political ambitions.