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Generative art is post-conceptual art that has been created (in whole or in part) with the use of an autonomous system. An autonomous system in this context is generally one that is non-human and can independently determine features of an artwork that would otherwise require decisions made directly by the artist.
Since 2012, Reas has incorporated broadcast images into his work, algorithmically distorting them to create abstractions that retain traces of their original, representational function. [14] In 2020, Casey Reas co-founded a platform for showcasing internet art and digital art with curated exhibitions all for sale as non-fungible tokens .
The Dia Art Foundation maintain 37 trees paired with stones in New York City and consider this installation of 7000 Oaks one of their 12 locations and sites they manage. [7] In 2007 the artists Ackroyd & Harvey visited Kassel to collect acorns from the original oaks. 100 trees grown from these acorns were exhibited at Tate Modern in London, UK ...
Tree of life at the Museo de Arte Popular in Mexico City, by Oscar Soteno. A Tree of Life (Spanish: Árbol de la vida) is a type of Mexican pottery sculpture traditional in central Mexico, especially in the municipality of State of Mexico.
The Blue Trees, 2011 Vancouver Biennale, Canada. The Blue Trees is a performance and installation artwork by the artist Konstantin Dimopoulos that uses a colour transformation to provoke discussion about global deforestation. [1] The trunk and branches of live trees are coloured blue using a biologically safe natural pigment in water. [2]
The Trees of Life (Spanish: Árboles de la Vida) are a public art installation in Managua, Nicaragua. Begun in 2013 to honor the 34th anniversary of the Sandinista Revolution , [ 1 ] the Trees of Life are a city beautification project of First Lady Rosario Murillo , who has also served as Nicaragua's Vice President since 2017.
Generative design in sustainable design is an effective approach addressing energy efficiency and climate change at the early design stage, recognizing buildings contribute to approximately one-third of global greenhouse gas emissions and 30%-40% of total building energy use. [15]
An iconic image, the pine tree at its centre has been described as growing "in the national ethos as our one and only tree in a country of trees". [1] It was painted in the last year of Thomson's life and was one of his final works on canvas. The painting, and a sketch for the painting, are displayed at the Art Gallery of Ontario.