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Sheet music Arban's Complete Conservatory Method for Trumpet is a method book for students of trumpet , cornet , and other brass instruments . The original edition, Grande méthode complète de cornet à pistons et de saxhorn) , was written and composed by Jean-Baptiste Arban (1825-1889) and published in Paris by Léon Escudier in 1864. [ 1 ]
Christian Wolff, Boras Song for horn, trumpet, violin and piano; Duo 6 for trumpet and violin For six or seven players (= Music for Merce Cunningham) for violin, viola, trumpet, trombone, piano and bass Mosaic Trio for trumpet, violin and piano Nine for flute, clarinet, horn, trumpet, trombone, celeste, piano and two cellos Pulse for trumpet ...
The piccolo trumpet solo in the Beatles' "Penny Lane", which introduced the instrument to pop music, was played by David Mason. Paul McCartney was dissatisfied with the initial attempts at the song's instrumental fill (one of which is released on Anthology 2), and was inspired to use the instrument after seeing Mason's performance in a BBC television broadcast of the second Brandenburg ...
The Green Hornet ("Flight of the Bumblebee") – Nikolai Rimsky-Korsakov; orchestration by Billy May; conducted by Lionel Newman; trumpet solo by Al Hirt; Grey's Anatomy ("Cosy in the Rocket") – Psapp; The Grim Adventures of Billy & Mandy – Gregory Hinde and Drew Neumann; Grojband – Brian Pickett and Graeme Cornies; Grounded for Life – Ween
In fact, it could be argued that the concertos of Haydn and Molter represent the zenith of the natural trumpet in terms of technical demands, containing as they do some of the highest notes ever penned for the trumpet in symphonic works (in the case of Haydn, a G above high C – the 24th harmonic on a natural instrument).
By the end of the nineteenth century, this notation was very widespread in Britain, and it became standard practice to sell sheet music (for popular songs) with the tonic sol-fa notation included. Some of the roots of tonic sol-fa may be found in items such as: the use of syllables in the 11th century by the monk Guido de Arezzo
Porter re-wrote it for the 1936 film Born to Dance, where it was introduced by Eleanor Powell, James Stewart, and Frances Langford under its alternate title, "Easy to Love". The song was later added to the 1987 and 2011 revivals of Anything Goes under the complete title "You’d Be So Easy to Love".
Adage for trumpet and harp; Claude Debussy. Music for Chansons de Bilitis for two flutes, two harps, and celesta, L. 96 (1900-1) Danses sacrée et profane for harp and string quintet, L. 103 (1904) Sonata for harp, flute, and viola, L. 137 (1915) Trio Sonata for flute, viola, and harp (2012) Joël-François Durand